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2022 unit offering information will be available in November 2021

Unit description

Addresses film as a major communication medium in terms of its form, history and its social, cultural, economic and political contexts. By examining the production and reception of film texts in their cultural contexts students are given an understanding of the place of film in everyday life - its passion, politics and pleasures. Films are not just made in Hollywood and so different styles, traditions and aesthetic concerns from around the globe shall be considered.

Unit content

Section 1  Film Narrative And Form

Topic 1: Cinema, culture, context
Topic 2: Celluloid storytelling
Topic 3: The truth is out there: Documenting culture

Section 2  Elements of Film

Topic 4: Writing in light: Cinematography
Topic 5: Manipulating time and space: Editing
Topic 6: Sounding out the image

Section 3  Approaching Film Texts

Topic 7: Vision, style and politics: Auteur theory
Topic 8: Familiar pleasures: Genre and film
Topic 9: Projecting desires: Stars and fan-tales
Topic 10: Beyond the frame: De-fragmenting cultural identity

Section 4  National Cinemas/ Transnational Audiences

Topic 11: Chinese cinema: Allegories of gender and nation
Topic 12: Indian visions: The Other Hollywood

Learning outcomes

Unit Learning Outcomes express learning achievement in terms of what a student should know, understand and be able to do on completion of a unit. These outcomes are aligned with the graduate attributes. The unit learning outcomes and graduate attributes are also the basis of evaluating prior learning.

On completion of this unit, students should be able to:
1analyse and discuss a variety of films from across the globe in their historical, cultural and cross-cultural contexts
2engage with, apply and acknowledge the value of theory and criticism in film studies
3identify the basic elements and principles of film form and narrative structures
4interrogate categories of difference (ethnicity, race, gender, sexuality, class etc.) as they are represented in film texts

On completion of this unit, students should be able to:

  1. analyse and discuss a variety of films from across the globe in their historical, cultural and cross-cultural contexts
  2. engage with, apply and acknowledge the value of theory and criticism in film studies
  3. identify the basic elements and principles of film form and narrative structures
  4. interrogate categories of difference (ethnicity, race, gender, sexuality, class etc.) as they are represented in film texts

Teaching and assessment

Notice

Intensive offerings may or may not be scheduled in every teaching period. Please refer to the timetable for further details.

Southern Cross University employs different teaching methods within units to provide students with the flexibility to choose the mode of learning that best suits them. SCU academics strive to use the latest approaches and, as a result, the learning modes and materials may change. The most current information regarding a unit will be provided to enrolled students at the beginning of the teaching period.

Fee information

Domestic

Commonwealth Supported courses
For information regarding Student Contribution Amounts please visit the Student Contribution Amounts.

Fee paying courses
For postgraduate or undergraduate full fee paying courses please check Domestic Postgraduate Fees OR Domestic Undergraduate Fees

International

Please check the international course and fee list to determine the relevant fees.

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